Other modern violins also did well. 1730, "Goldberg-Baron Vitta", Viola by Antonio Stradivari, Cremona, 1690, "Tuscan-Medici", Violin by Antonio Stradivari, Cremona, 1704, "Betts", - (1752 1823), Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. Citations are generated automatically from bibliographic data as (351 mm) with double case (2) If you wish to view the condition report of this lot, please sign in to your account. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. As on the "Tuscan-Medici" viola [see below], the top under the fingerboard is not varnished in an area extending down 5.5 cm from the neck foot. If you missed the magazine, you can download the pdf here-. Gregg is holding the violin made by the class in 2010 and varnished in 2011. Suggested credit line: Library of Congress, Music Division. His own workmanship was replaced by the efforts of his many employees after about 1790 and these represented the cream of the London profession, including John Carter, Joseph and Henry Lockey Hill, Richard Tobin and the Fendts. One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. They kept the company name but changed the labels to Arthur and John Betts. He moved to London at the age of 12 to apprentice with Richard Duke. including this fine violin, Betts' greatest importance was as an expert and entrepreneur, responsible for making London a major centre of violin making activity in the 19th century. 28-30 Marchmont Crescent, Edinburgh, EH9 1HG. Next to it is a CT scan of the back. By 1781 he was working independently and hired . Dismiss. Violin - One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. Because of his great knowledge of the history of violin making, Betts was an excellent copyist. Photograph (Form). Under the sole ownership of Arthur, the workshop became incredibly skilled at imitating the work of the great masters and participated in some of the ethically short-sighted restoration practices that went on during the Victorian era. Brobst Violin Shop 5584 General Washington Dr Alexandria, VA 22312 (703) 256-0566. brobstviolinshop@gmail . Fax: +44 (0) 20 7900 3354, Tarisio Berlin Articles, - John Betts. Ok, got it! Fendts. Betts himself became Official Valuer of violins to the Customs office. Directions. , circa 1800Viola, John Betts I am part of an ongoing collaboration with Luthier Stephen Rossow and Radiologist Steven A. Sirr, MD., on a project that uses existing and emerging technologies to explore the structure of- and ultimately replicate- famous violins. A deal was made and the instrument changed hands for the sum of only one guinea. It was he who established the great Betts workshop in Holborn's Royal Exchange around 1782. Article. Can you tell which is which? He was universally known as " Old John Betts," and was well respected and patronised. London John Dodd and Thomas Tubbs were among the shop's best suppliers of bows. Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. violins@hebberts.com, Laurent Bourlier (III), Mirecourt, c.1820. By William Meredith Morris. The workmanship and varnish have much the same characteristics the latter being, as a rule, of a tint which is a shade warmer than the varnish of Duke. Email: To provide the best experiences, we use technologies like cookies to store and/or access device information. Hill and Sons). Kemp Hall Passage, (1775 - 1847) Younger brother of John Betts, Arthur Betts was a good violinist and had lessons from Viotti himself. By 1920, the "Betts" was owned by R. D. Waddell of Glasgow. Violin by Antonio Stradivari, Cremona, "Betts". 1786, Violin - A CNC machine is a precision carving machine. Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc. United Kingdom, Email: info.london@tarisio.com Betts hired many English luthiers that when on to achieve great success, including members of the Hill family (W.E. A very successful employee, Betts assumed the role of shop foreman . For auction updates, special offers and news please sign up to our mailing list. We use the digital information from the CT scans to make STL (stereolithography) files to directly transfer the carving of Stradivari's original archings into new tops and backs, and to directly transfer the shapes of Stradivari's original necks, and scrolls, using a CNC machine made and operated by Steve Rossow. Germany, Email: info.berlin@tarisio.com Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. In 1781 he was established independently in Holborn, moving to Royal Exchange in 1782. In turn his workshop influenced the leading makers of the day to look towards increasingly detailed copying of Cremonese masterpieces, assisted to a great extent by his relationship with Vincenzo Panormo, an Italian maker working in London. [Web.] With its expressive personality, the instrument presented here was likely made by one of his students and reflects the influence of "Old . The striking one-piece maple back of medium and broad curl descending from left to right; the maple ribs of narrower curl; the maple head of broad curl; the two-piece spruce table of mostly fine grain narrowing toward the flanks; the varnish a golden . Article. He was universally known as " Old John Betts," and was well respected and patronised. Here is a picture of the 2011 Oberlin Workshop participants. Article. It is now a permanent part of the collection of instruments in the Library of Congress Music Division in Washington DC. We use cookies to improve our services and provide you with a better shopping experience. The one inserted into the violoncello just referred to reads : 2023 Fine Fretted String Instruments. Betts business became a focus for the market for old Cremonese violins. London, c.1785. Please contact: Performing Arts Reading Room. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. John Betts cello, London circa 1810 First Name (*) Last Name (*) Ward owned the violin for over 40 years; on his death it passed to the Hills. (b Stamford, Lincolnshire, 1752; d London, 1823), One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. Chris Germain is third from the left in the front row. Read Less. London Violins and Violin Makers Biographical Dictionary of the Great Italian Artistes, their Followers and Imitators, to the present time. John Betts school / circle: fine antique English violin circa 1820, Renting or leasing a violin from Corilon violins. Next to that is a photo of the new copy. In about 1820, an individual entered Betts' shop at the Royal Exchange in London and offered the violin in its pristine state. Kurfrstendamm 28 After the death of Betts' son, the violin was sold to WE Hill, and eventually to Whittall's, before ending up at the Library of Congress, where it is displayed in the performing arts reading room. It was he who established the great Betts workshop in Holborns Royal Exchange around 1782. A deal was made and the instrument changed hands for the sum of only one guinea. It simply isn't true that old violins always sound better than new ones. Next to that is a photo of the new copy. SKU 34098 Categories Violins, Violins $20,100-$35,000. The shop thrived for another 20 years before finally closing in 1867, having firmly linked the family name with some of the worlds greatest instruments. The 2010 project was to make a copy of the "Ole Bull" Guarneri violin, which was finished in 2011 . JOHN BETTS, NO, 2, NORTH PIAZZA, ROYAL EXCHANGE, LONDINI, FECIT, JANUARY 9, 1782 Talk to the Brompton's Team +44 (0)207 580 9550 . photograph | 35 photographs : color | Photograph (Form). Composite, newer top (19th century) original back and sides. Click the button below and we'll email you a link to generate your Tarisio password. He moved to London at the age of 12 to apprentice with Richard Duke. Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. Cookie Policy Betts became known as an expert connoisseur and was partially responsible for developing the outstanding reputation of Stradivari instruments in London. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. John Betts London. He was born in 1752 in Stamford and died in 1823 in London. Violin maker. 2 North Piazza, Londini," are also written across the back on the inside, near the top, and an inscription, which is not decipherable, is written across the belly near the left sound- hole. Meet the team and read about our relationship with Sothebys, Ingles & Hayday Ltd, 77 Great Titchfield Street, London W1W 6RF | London: +44 (0) 20 7042 7337 | Visit our London Shop, 6th June Catalogue Rosenberg Collection Part II, Looking to buy or sell an instrument by this maker >. Not surprisingly, the nephew thought the violin should belong to the firm, but Arthur claimed that since he bought it with his own money, (one guinea) it was his. His refusal to allow Charles to profit from the purchase led to the partners falling out. John is also part of an ongoing collaboration with luthier Stephen M. Rossow, and Radiologist Steven A. Sirr, M.D., on a project that uses existing and emerging technologies to explore the structure of-and . The violin in the photo above has been sold. Bow maker / Violin maker. . Intl: +44 207 175 1737 While these craftsmen produced a very important body of work, particularly the cellos which have become highly sought-after, Betts greatest importance was as a violin expert. 86-87 Wimpole Street Three Stradivari violins and eleven modern violins were played in a controlled double blind test. This area corresponds with the dimensions of the original fingerboard giving a clue to the range of notes that a musician could play. Login or Register for a FREE account to gain full access to our library, John Betts (born February 17, 1949 in Moncton, New Brunswick) is a teacher and a New Brunswick politician. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. In the United States, the 'Betts' found a home first in the collection of John Taylor Roberts, [32] and then with Gertrude Clarke Whittall, who, in 1935, donated it along with three other Stradivari instruments a violin, a viola, and a cello and four Tourte bows to the Library of Congress of Washington, D.C. Below, on the left, is a photo of the back of the Betts. , circa 1814Violin, John Betts The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. Inscribed inside the top in the upper treble bout are the words: The Betts / Stradivarius; in the lower treble bout the inscription reads: Purchased from / the duchess / of Camposelice / by W. E. Hill & Son / March 1892. We offer buyers and sellers a bespoke private sale service, sourcing exceptional instruments and bows and matching them with the most discerning buyers Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow to recommend an auction estimate and reserve price for your instrument or bow Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. In 2011, John Waddle was in charge of the back, Raymond Shryer, who has his violin shop in Canada, was in charge of the top, Gregg Alf, of Ann Arbor, Michigan, was in charge of the rib structure, and Sam Zygmuntowicz, whose violin shop is in Brooklyn, New York, was in charge of the neck and scroll. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. The 1704 Betts violin is named after John Betts, a violinmaker in London who bought the violin in excellent condition for one guinea in 1820. A sheer joy to play! Claudia Fritz, Joseph Curtin, and Fan Tao have participated in two other similar tests, in Indiana and Paris. It's questionable how many violins John Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. Books from Amati. Violin by Antonio Stradivari, Cremona, "Betts". It remained a treasured . He made his own instruments as well as collecting and trading the work of old masters. Not consenting or withdrawing consent, may adversely affect certain features and functions. A panel of experts there chose our violin over the three Stradivari's in the test. He died in 1823, leaving the business to his younger brother Arthur, who learned the craft from him. The violin is in exceptional original condition. He drilled holes for the upper and lower lobes and then connected them rather than working from a stencil type of pattern. Arthur Betts used the violin for the rest of his career. John Montgomery, Sam Zygmuntowicz, Raymond Shryer also did some needed tonal adjustments on it. All rights reserved. Here is a vioiin being scanned. He used two or three different labels. Using our new process of reverse engineering, and choosing wood carefully, we can make consistently good sounding violins that are comparable to instruments made in the past and not accessible to the public. Betts Workshop Violin, London circa 1820. Below, on the left is a photo of the top of the Betts, compared with a CT scan of the top, and aphoto of our new digitally carved copy of the front of the Betts.
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